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Art Rock's music was created with the intention of listening and contemplation rather than for dancing,[3] and is often distinguished 💋 by the use of electronic effects and easy listening textures far removed from the propulsive rhythms of early rock. The 💋 term may sometimes be used interchangeably with "progressive rock", though the latter is instead characterized in particular by its employment 💋 of classically trained instrumental technique and symphonic textures.

Critic John Rockwell says that art rock is one of rock's most wide-ranging 💋 and eclectic genres with its overt sense of creative detachment, classical music pretensions, and experimental, avant-garde proclivities. In the rock 💋 music of the 1970s, the "art" descriptor was generally understood to mean "aggressively avant-garde" or "pretentiously progressive".[11] "Art rock" is 💋 often used synonymously with progressive rock.[1][3] Historically, the term has been used to describe at least two related, but distinct, 💋 types of rock music. The first is progressive rock, while the second usage refers to groups who rejected psychedelia and 💋 the hippie counterculture in favor of a modernist, avant-garde approach defined by the Velvet Underground. Essayist Ellen Willis compared these 💋 two types:

Art rock can also refer to either classically driven rock, or to a progressive rock-folk fusion.[3] Bruce Eder's essay 💋 The Early History of Art-Rock/Prog Rock states that "'progressive rock,' also sometimes known as 'art rock,' or 'classical rock'" is 💋 music in which the "bands [are] playing suites, not songs; borrowing riffs from Bach, Beethoven, and Wagner instead of Chuck 💋 Berry and Bo Diddley; and using language closer to William Blake or T. S. Eliot than to Carl Perkins or 💋 Willie Dixon."[18]

Art rock's greatest level of popularity was in the early 1970s through British artists including King Crimson and Queen.[3]

Notes 💋 [ edit ]

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