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Gothic literature uses terror as a plot device within a mystical setting or with supernatural elements at 💹 play to comment on social, political, and religious tensions (and anxieties) of a certain time period or community even if 💹 this is done subtly. There is also usually a romance or romantic element involved.
Gothic novels have conventionally been 💹 divided into the schools of terror and horror, schools which have often been neatly grouped under the names of Ann 💹 Radcliffe and Matthew Lewis. Terror seeks to evoke by suggestion, by dreadful suspense; horror displays in the hopes of generating 💹 revulsion.
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